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Islet are remote Welsh outsiders, studying life via a refracting telescope, adept in the art of conjoining parts that don’t fit. A Powys trio whose free-spirited invention and exuberant intensity flows through experimental pop: hypnotic, exhilarating and defiantly unique.

They began in Cardiff in 2009 when Emma Daman and brothers Mark and John ‘JT’ Thomas resolved to form a band with one rule: that anything was possible. Soon after, they were joined by Alex Williams. The band had no lead singer or set roles, switching instruments from song to song, melding psych rock, ethereal atmospherics and jagged post punk, with most gigs seeing the walls and spectators played as instruments. . They were soon surrounded by a buzz of excitement and mystique, cherished locally, then globally. They wrote about their philosophy in their own zine, started a festival, helped other bands; they are stalwarts of the Welsh DIY community.

 Two albums (Illuminated People, 2012 – shortlisted for the Welsh Music Prize – and Released By The Movement, 2013) and a handful of EPs (Celebrate This Place, 2010; Wimmy, 2010) followed, released on their own label, Shape Records. Their last release was Liquid Half Moon EP 2016 and the band became a trio following the departure of JT in 2018.

Islet “create an ideology that fuels creativity” claims The Quietus (2011) and this feels true when you see them live: joyful abandon, unbridled energy with a fierce urge to challenge, to embrace, communicate, excite and, ultimately, set their audience free. As NME put it, Islet is “More of a happening than a band”.

Some ten years in the making, Islet have signed to Fire Records, home of many an experimental deep thinker and everyday cult icon. Now, they are recording new songs and filling a bigger room with caterpillars and clouds, Emma Daman Thomas moving into focus with her unleashed, mesmerizing vocals against a synth-driven sound, unexpected shifts of rhythm, playful inventive lyrics; an exhilarating, electronic purr that provokes thought and feeling and dancing. They have matured, are more tender, knowing and composed, but still eclectic, mysterious and intriguingly themselves.

“Unhinged, euphoric, wonderful.” Pitchfork